I received this very pretty award from Susie a few weeks ago. Susie is a mine of information about blogging and I've learned a lot from her blog 1st Floor Flat. Thank you Susie for the award - I'm honoured.
I must apologise for the quality of these photos. I'm not sure what happened but I think I need a new camera. Either that or the anti-shake isn't working. Sorry.
I want to give you a quick look at one of my everyday books that I use to write down my ideas and add snapshots of books I make. I made this case bound book when I was doing my book binding training at Sydney TAFE in the 90s and it is holding up very well to many years of use. Cloth covered, it has commercially made headbands (how dreadful that seems to me now) and I've trimmed out pages in every section to make room for all the bits and pieces I've pasted in. At one stage early on it looked as though it was going to explode so I took to it with a scalpel which seemed drastic at the time but saved the integrity of the book in the long run.
Above are journals I've made to write family history and to document some of my history of natural history information.
This is a rather poor photo of the book that made me realise that I wanted to make artist's books. I was researching in the Rare Books Library at the Dibner Library of the History of Science and Technology, Smithsonian Institution Libraries, I think in 1996 and I was lucky enough to be given a special viewing of the exhibition Science and the Artist's Book. Do look here to get a better look at this book [M.L. Van Nice Plinitude Somerville, Massachusetts, 1994 [seeds, bones, insect wings, feathers, wood, leather, paper, acrylic]] and the others in the exhibition. It wouldn't be an exaggeration to say that this book and the entire exhibition changed the direction of my work, and in many ways, my life.
Above some coptic/celtic/icicle bindings that I've talked about elsewhere.
On the left are some cross structure bindings and on the right my Jenny Hanniver : the unauthorised biography - a book I will be completely overhauling soon because I can't live with the faults.
More bits and pieces including a star book based on Thirteen Ways of Looking at a Blackbird.
Above are many different book structures, most of them purely for fun. I make books for the challenge and commercially, but the greatest joy for me is making a book just for fun.
This book is actually titled (in silver) Marbling Muses, a bit of a hopeful title really, especially as I have difficulty capturing any kind of muse lately, let alone the one dealing with marbling. So here are photos from Marianne Peter's brilliant oil marbling workshop with a few notes visible from her paste paper workshop. I've just noticed that in the book I've said Marianne comes from France. Wrong - she comes from Belgium!
With great enthusiasm I've sketched pages of marbling guides to favourite designs. Of course when I actually marble I completely forget to follow the instructions and I get very excited if my paper turns out the way I intended. I also enjoy the surprise of the unexpected.
This is the head of the book, showing some of my marbling, which I like, the "made" headband, which I don't like, and the stubs of the pages I've sliced out.
I think on the 'post-it' is a recipe for guar gum base for the marbling I did with Marianne Peter.
So - not an amazingly beautiful book but one I would be most unhappy to lose. It not only has years of plans, ideas, recipes, instructions, photos, drawings - it is chock full of great memories of people and books and the wonderful fellowship with other people who love to bind and marble. Like the people I'm meeting through blogging.
The Sunday Papers: 13
7 hours ago